6th Kanos (CONTINUED...) VAMPIRE
Meeting Into
the Crypt Umber
Hulks Stone
Heart Vampire
Beryn Keep Sand
Giant
City-Between-Places Beryn's
Farm Bog
Serpent Stronghold 2
Parties Dog
& Horn The
Cells
Escape! Calrhuvianne Souls Hawker
Bag Kin's
Tale Mayor
& Shopping Dhunok
Grael
Karubiat
Elesis Underground
Sun Lizardmen The
Boat Akkenophon Shurudien! Ghurzak!
To Karnak Dice Oracle Mogradjinn Battle The
Hilt Exit Strange
Allies Ghorak
Lan
Farigon Calrhuvianne2 Wraithking Columns Last
Column Galent Zeres-kai Eyrie
Elementals! Golem
Inside the building, the party is confronted by a
dark shape that slowly seems to resolve itself into a number of
black goblinoid shapes, almost fluidly linked together.
Eager by now for a battle to let off steam and tense
as they approach tehir goal, the party attacks, Balin, Jiriki and
Karnak particularly keen!
It is Rhadogan, however, who strikes the first blow,
even as other magic is prepared around him. Water appears from nowhere
above the dark creatures' heads and crashes down onto them: the
effect is both violent and astonishing. There is a noise like the
earth howling - low and guttural and then the very substance of
the dark creatures splits into globules and all at once in a brief,
dark maelstrom, the matter that was humanoid-shaped and ready for
battle is spread across the interior walls of the building like
so much molasses, and apparently less dangerous. Exposure to the
elements can be a dreadful thing...
Where the unelementals stood there can be seen doors,
built into the floor. A careful check by Morin and Jarek then Rhadogan
and Darius, cautiously wary of any reanimation of the erstwhile
foe pull open the doors. The doors are laid carefully, rather than
flung open with a boom, and it is evident immediately that no creature
is behind them: stairs descend some thirty feet, two people wide,
to ornate double doors; torches line the walls at 5ft intervals,
cool flame impossibly burning from them. The ornate doors are visible
from the top of the stairs - they are carved of white stone with
sigils and markings of curious origin all around the edges and small
brass handles. The right-hand door is ajar and a little light penetrates
the room beyond. From what little can be seen, there would seem
to be a short area of floor followed by water.
After checking the stairs and door, Jarek peers around
the doorway for a second and then, after a pause, steps inside.
There's a few seconds' silence and then you almost make out a voice
that isn't Jarek's. It's swiftly followed by his: "Morin, get everybody
down here and watch out for a pressure plate inside the door."
The party doesn't need a second invitation and in
a few moments are gathered in a large room, spreading themselves
out to fit in as the floor is only about three feet wide before
there is a tract of flowing water. In the centre of this is a small
stone island upon which is a large brass coffin, lid slightly askew,
the body of what might be a mage at its base and a second figure
sat atop it. There is a pressure pad on the floor is just to the
right of the entrance.
The figure on the coffin has tousled dark hair and
long nails. His pale skin is stretched too tight over his bones
and his whole body, wrapped in tattered leathers and a long ebony
cloak, carries a look of deep fatigue. But the eyes hold some nobility
and it's clear that whatever is before you was not always of quite
this appearance. His legs swing slightly as he looks across at you
all and a resonant but quiet voice speaks up: "Nine this time? After
centuries of solitude, two lots of visitors. Hardly a coincidence,
I would surmise." There is little mirth in the voice but little
malice either; more resignation than anything else. Regardless,
you notice the teeth as it speaks and it's the final confirmation:
this is a vampire.......
The vampire - a born vampire, he says - argues for
his freedom by virtue of the pennance he has already paid being
imprisoned here. He's an unusual character, for a vampire, and freely
warns the party that the scabbard is already gone, taken by Ghurzak.
But there was more to it than this and he can still help - in return
for his freedom. A bridge must be extended by depressing the plate
and he must be asked to leave the room.
No magic can be used within the tomb so the party
move outside and a huge argument erupts over what is best to do.
It essentially splits along the idea of honour versus the fact that
this is a vampire and cannot be allowed to leave.
Eventually the compromise involves wards being placed
by Rhadogan to harm the vampire and everybody taking their place
to attack him. The party will set him free but then he must battle
his way out; a curious decision that may came back to haunt them
as the vampire appears only interested in freedom and
Morin takes the news to the vampire and then returns
up the stairs to take a position opposite Jarek but closer to the
intended melee point as he is armed with silver dagger and shortsword.
Tension spreads across the room like a barbed net and balls of feet
take balance, each person coiled and ready to strike and aware of
the danger facing them.
The vampire appears at the base of the stairs and
begins to ascend; everybody waits for the triggering of Rhadogan's
spells and Balin looks almost fit to burst with anticipation.
It speaks as it ascends: "I will take this quiet
moment before you attack to thank you for my freedom; your items
await, true to my part of the bargain. Should I survive, know that
some of you make a patient enemy today, so fight well."
He glances at the doors and pauses slightly before
he steps out from the stairway. The second he does, a beam of blinding
light erupts from the right-hand doorway; it grazes the vampire,
affecting cloak more than body and the beast flinches and then pauses
momentarily as if clearing its head. The waiting party don't need
any second invitations and attack commences, Rhadogan holding back
for a moment and presumably, by his actions, casting a spell.
Darius hesitates for a fraction of a second as he
realises that the vampire is unarmed but he will not endanger his
friends in battle and this beast needs no weapons to be dangerous;
he strikes fast twice but without affect. The vampire is swift and
inordninately dextrous, clearly. Balin also misses but as he does
so, the vampire howls, as one of Jarek's arrows appears under its
shoulder tearing through the flesh and leather. The vampire grasps
the head and tears the arrow out - his anger and some surprise are
evident and it would seem that the Oil of Wightbane is having an
effect.
He lashes out at Balin whose face is slashed by long
nails then delivers an elegant kick to Darius - the dwarf's face
grows pale instantly and he stumbles backwards slightly. Darius
is similarly afflicted. "You have some magics but not enough!" the
vampire yells, having gained a little space, but as his form shimmers,
he is evidently blind to the presence of Jiriki who slashes at the
beast with his two-handed sword.
This is not just a weapon coated in Beryn's oil but
also the holy symbol of Kord and Jiriki strikes with all his faith
and might just as the vampire becomes a bat and Morin stabs at emtpy
air from behind. The creature is swift and goes upwards and out
through the archway as fast as it can and is gone past Dalrylshana
and Kin's flailing attempts to stop it.
Freedom was obviously more important to the vampire
than winning this combat. Silence returns to the room. At Jiriki's
feet lies the severed hand of the vampire, a brass and ruby ring
on one of the gnarled fingers.
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